I've just read an interview with photographer Tom Ang in What Digital Camera. I've seen Tom on TV, enjoyed articles by him in several magazines, read at least two of his books and have respect for his work, so I was looking forward to reading his views on a number of topics.
Not too many surprises save his view on RAW. "I don't work with RAW because I think it's a waste of time - I'm fortunate in having a camera that provides a lot of headroom for manipulation"
He uses an EOS 1Ds MkII and I guess 16.7 MP full-frame jpg files are pretty good? Doubt I'll ever have one to find out for myself
. I just assumed pros would always shoot RAW. You live & learn!
Guess it would depend, to a degree, on the type of photography though? - I can understand not using RAW for newspaper reporting or some magazine content but for serious landscape or fashion work I'd assumed RAW would be king?
Not too many surprises save his view on RAW. "I don't work with RAW because I think it's a waste of time - I'm fortunate in having a camera that provides a lot of headroom for manipulation"
He uses an EOS 1Ds MkII and I guess 16.7 MP full-frame jpg files are pretty good? Doubt I'll ever have one to find out for myself
. I just assumed pros would always shoot RAW. You live & learn! Guess it would depend, to a degree, on the type of photography though? - I can understand not using RAW for newspaper reporting or some magazine content but for serious landscape or fashion work I'd assumed RAW would be king?

), I've moved over to Canon via the 1Ds, the 1D MkII and the 5D. On several occasions I've had to shoot up to five-hundred images each day and the temptation to switch to JPEG (to save on card space more than anything...) has sometimes been too great. However without fail, while I've generally been perfectly happy with the JPEGS I've taken, the quality has definitely been diluted considerably by the camera's processing alogarithms and the files are much harder to work with in Photoshop, which in my business is very much a part of the process. Because of this, I purchased a 40GB pocket hard-drive and more CF cards and vowed to stick to shooting in RAW, at least until something comparable or better comes along.
. But I was fortunate to be landed with some excellent RAW conversion tools to try for an article I was commissioned to write, including Phase One's Capture One, the distantly related Pixmantec RawShooter Essentials (which has since been acquired by Adobe for beefing up Lightroom) and Photoshop CS2's much-improved ACR. These transformed my opinion of RAW and I now shoot RAW+JPEG routinely. I usually shoot sRGB JPEGs for the convenience of viewing and printing on media that aren't RAW-compatible, especially the Internet. If I need Adobe RGB quality or intensive processing for quality purposes, the RAW file is there.
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