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Tonight's Moon two different cameras
Regards Huw
E-M1 & HLD-7
7.5 | 17 | 45 | 60 | 12-40 | 35-100 | 75-300 MKII | FL-36R
Tokina 300 | x1.4 x2 TC
Sigma DP1M | DP2M | DP3M
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Re: Tonight's Moon two different cameras
Originally posted by Pops View PostAmazing detail but I am confused.
The title say's taken with different camera's but then added info says Both were taken using the Tokina 300
FWIW - I think I prefer the second picci - but I might change my mind later.
Pol
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Re: Tonight's Moon two different cameras
The first was taken with a Fuji X-E1 and the second with an Olympus OM-D E-M5.
It would be useful to know what the effective aperture was.
The detail levels of both are pretty much the same really and surprisingly good with stacked converters.
Interesting that the Fuji version is almost monotone.
IanFounder/editor
Digital Photography Now (DPNow.com)
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Re: Tonight's Moon two different cameras
I'll guess f/11, one stop down from wide open.Light thinks it travels faster than anything but it is wrong. No matter how fast light travels, it finds the darkness has always got there first, and is waiting for it. Terry Pratchett.
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Re: Tonight's Moon two different cameras
Originally posted by David M View PostI'll guess f/11, one stop down from wide open.
IanFounder/editor
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Re: Tonight's Moon two different cameras
Originally posted by Pops View PostAmazing detail but I am confused.
The title say's taken with different camera's but then added info says Both were taken using the Tokina 300
Originally posted by Pol View PostThe Tokina 300 is the lens and the images were shot using a Fujifilm X-E1 (first pic iirc) and the other pic is from an Oly E-M5
FWIW - I think I prefer the second picci - but I might change my mind later.
Pol
Originally posted by Ian View PostThe first was taken with a Fuji X-E1 and the second with an Olympus OM-D E-M5.
It would be useful to know what the effective aperture was.
The detail levels of both are pretty much the same really and surprisingly good with stacked converters.
Interesting that the Fuji version is almost monotone.
Ian
Both cameras performed well with pleasing results, obviously the Oly image is somewhat larger so was re-sized possibly helping with apparent detail levels.
David's guess at the effective aperture is probably right I couldn't see exactly how much I had stopped down but it wasn't much. Of course I'm losing three stops with the converters.
Just from an interest point of view here is a 100% crop from the X-E1 taken with the 300 and the Canon x1.4 only. This is where the X-Trans sensor excels as well as noise control.
Originally posted by David M View PostI'll guess f/11, one stop down from wide open.
Originally posted by Ian View PostNot ideal to avoid diffraction. Am tempted to have (yet) another go myself tonight with the 300mm f/2.8 and EC-20 (2x) if the sky remains clear tonight... will probably keep it to f/6.3.
IanRegards Huw
E-M1 & HLD-7
7.5 | 17 | 45 | 60 | 12-40 | 35-100 | 75-300 MKII | FL-36R
Tokina 300 | x1.4 x2 TC
Sigma DP1M | DP2M | DP3M
CaptureOne Pro | Helicon Filter Pro | Photomatrix Pro
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Re: Tonight's Moon two different cameras
I always try to stop down a stop with any TC or combination. Even using 600mm lenses in my film shooting days I try to stop down one stop if I had the light to. All the fast telephotos I've used over the decades were best a stop down.Light thinks it travels faster than anything but it is wrong. No matter how fast light travels, it finds the darkness has always got there first, and is waiting for it. Terry Pratchett.
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Re: Tonight's Moon two different cameras
Originally posted by David M View PostI always try to stop down a stop with any TC or combination. Even using 600mm lenses in my film shooting days I try to stop down one stop if I had the light to. All the fast telephotos I've used over the decades were best a stop down.Regards Huw
E-M1 & HLD-7
7.5 | 17 | 45 | 60 | 12-40 | 35-100 | 75-300 MKII | FL-36R
Tokina 300 | x1.4 x2 TC
Sigma DP1M | DP2M | DP3M
CaptureOne Pro | Helicon Filter Pro | Photomatrix Pro
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Re: Tonight's Moon two different cameras
Some fast telephotos can drop off dramatically at four stops down. They were designed to be shot wide open or a stop or two down so the designers weren't bothered how they performed at smaller stops.Light thinks it travels faster than anything but it is wrong. No matter how fast light travels, it finds the darkness has always got there first, and is waiting for it. Terry Pratchett.
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Re: Tonight's Moon two different cameras
Alas it was hazy last nightI did do some shots this time last year - I will see if I can dig them out...
IanFounder/editor
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Re: Tonight's Moon two different cameras
OK - from last year: Zuiko Digital 300mm f/2.8, with 1.4x EC-14 converter (425mm or 850mm FF equivalent), quite a sizeable crop. ISO 400, 1/500th, f/6.3, Olympus OM-D E-M5:
I think the high contrast details are very good but I think the more amorphous areas could be improved.
IanFounder/editor
Digital Photography Now (DPNow.com)
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Founder/editor
Digital Photography Now (DPNow.com)
Twitter: www.twitter.com/ian_burley
Flickr: www.flickr.com/photos/dpnow/
Pinterest: www.pinterest.com/ianburley/
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Founder/editor
Digital Photography Now (DPNow.com)
Twitter: www.twitter.com/ian_burley
Flickr: www.flickr.com/photos/dpnow/
Pinterest: www.pinterest.com/ianburley/
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Re: Tonight's Moon two different cameras
Originally posted by Ian View Post
If your shot above is at 100% then comparison with my X-E1 with 300 + x1.4TC is a good illustration of the difference in reach between APS-C and m4/3rds.
Regards Huw
E-M1 & HLD-7
7.5 | 17 | 45 | 60 | 12-40 | 35-100 | 75-300 MKII | FL-36R
Tokina 300 | x1.4 x2 TC
Sigma DP1M | DP2M | DP3M
CaptureOne Pro | Helicon Filter Pro | Photomatrix Pro
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