More shots taken with the Olympus OM-D E-M5 processed from camera JPEGs in Lighroom 4. All hand held.

Lara poses in the late evening sunshine. ISO 200, f/6.3, 1/125th, 26mm (52mm equiv.) m.Zuiko 12-50 f/3.5-6.3 ED

The inevitable swan. ISO 800, f/6.3, 1/1250th, 132mm (264mm equiv.) m.Zuiko 75-300 f/4.8-6.7 ED

A Moorhen that thinks it's invisible. It was starting to get dark and this is less than half the original frame. ISO 3200, f/6.7, 1/250th, 300mm (600mm equiv.) m.Zuiko 75-300 f/4.8-6.7 ED

A closer view of the reskinned Kodak building - really getting dark now. ISO 1250, f/6.3, 1/30th, 12mm (24mm equiv.) m.Zuiko 12-50 f/3.5-6.3 ED

Finally, the new bridge from the Kodak building complex and to the right the infamous Hemel Magic Roundabout. The photo is deceptively bright - it's actually twilight. ISO 1250, f/6.3, 1/15th, 12mm (24mm equiv.) m.Zuiko 12-50 f/3.5-6.3 ED
Ian

Lara poses in the late evening sunshine. ISO 200, f/6.3, 1/125th, 26mm (52mm equiv.) m.Zuiko 12-50 f/3.5-6.3 ED

The inevitable swan. ISO 800, f/6.3, 1/1250th, 132mm (264mm equiv.) m.Zuiko 75-300 f/4.8-6.7 ED

A Moorhen that thinks it's invisible. It was starting to get dark and this is less than half the original frame. ISO 3200, f/6.7, 1/250th, 300mm (600mm equiv.) m.Zuiko 75-300 f/4.8-6.7 ED

A closer view of the reskinned Kodak building - really getting dark now. ISO 1250, f/6.3, 1/30th, 12mm (24mm equiv.) m.Zuiko 12-50 f/3.5-6.3 ED

Finally, the new bridge from the Kodak building complex and to the right the infamous Hemel Magic Roundabout. The photo is deceptively bright - it's actually twilight. ISO 1250, f/6.3, 1/15th, 12mm (24mm equiv.) m.Zuiko 12-50 f/3.5-6.3 ED
Ian
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