Just looking for some notes






However its vaguely unnerving and I wonder what you are trying to say in the stationary swing 
but in an age of the car and an apparently middle class area of Toronto, one has to ask the question
), a very interesting model. I think you should have thrown the background more out of focus and you can do this in photoshop. The eyes look great with the black eyeliner too.
However its vaguely unnerving and I wonder what you are trying to say in the stationary swing 
Unnerving is kind of close. I was going for a lost child/ ghost child feel to it. Either that or lost childhood.
I refuse to use automatic on it so I can learn to do it myself and learn what causes the right outcome. Thank you for your input
Unnerving is kind of close. I was going for a lost child/ ghost child feel to it. Either that or lost childhood.
I refuse to use automatic on it so I can learn to do it myself and learn what causes the right outcome. Thank you for your input 

I think I'm going to like this place a lot. I was getting a little out of sorts with the last of critique in Deviant Art. Just a lot of "oooh pretty" in there. It's good to hear some real comments. Thank you!
As for the man on the bike I have to agree with a few others that a good crop would make it more interesting and less distracting. Love the panning one....I have tried this and just can't seem to get it to work, do you have any pointers? You have made me think about giving it another go! Its nice to see another Canuck on here....even if you are American by birth 
). Are the shades hiding his eyes for a reason? Bland, gray background. Most striking part of the picture for me is the blueness of the shirt. The way he is up against the wall seems constricting (the woman is against a wall too, but at least she's separated by contrast). I notice also that in both shots, the subject is at the side of the frame, looking out, which makes me think it's a kind of signature technique/statement (maybe to keep the viewer off balance?). Copyright © 2001- Ian Burley
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