Mike's post about his Canon EOS-20D uner-exposing got me thinking and I was chatting just now to another photographer who is still shooting film as well as digital. He finds that when shooting colour negative film the exposure latitude is very wide, as long as you don't under expose too much. Nothing surprising there - colour neg does have a very wide exposure latitude.
He tends to shoot weddings and he's tried both a Fujifilm FinePix S2 Pro and an S3 Pro and finds that both can unexpectedly underexpose, more so than when he's using his Nikon F5 with colour neg.
It's established wisdom to think of digital as being like colour reversal or positive slide film - highlights being vulnerable to over exposure but a lot can be dug out of the shadows.
I think some digital cameras will err on the side of caution and under expose significantly in order to preserve highlights, perhaps more so than exposure systems in film cameras. This does mean more work in post processing, which my friend is clearly not used to.
Another issue he has experienced with digital is dynamic range compression on overcast days, which you'd kind of expect not to be the case...
Anyone like to comment?
Ian
He tends to shoot weddings and he's tried both a Fujifilm FinePix S2 Pro and an S3 Pro and finds that both can unexpectedly underexpose, more so than when he's using his Nikon F5 with colour neg.
It's established wisdom to think of digital as being like colour reversal or positive slide film - highlights being vulnerable to over exposure but a lot can be dug out of the shadows.
I think some digital cameras will err on the side of caution and under expose significantly in order to preserve highlights, perhaps more so than exposure systems in film cameras. This does mean more work in post processing, which my friend is clearly not used to.
Another issue he has experienced with digital is dynamic range compression on overcast days, which you'd kind of expect not to be the case...
Anyone like to comment?
Ian
Comment