Release Issued by Canon US:
Canon U.S.A.'S New Line-Leading, 21.1-Megapixel, Full-Frame EOS-1Ds Mark III Digital SLR Keeps Canon at The Top of The Pro Photo ClassRead our News Story: Canon beefs up its flagship and mid-range EOS DSLR models
Responsive, Ultra-High Resolution, Ultra-Low Noise CMOS Sensor and Dual "DIGIC III" Image Processors Power the EOS-1Ds Mark III Into the Realm of Medium-Format Digital Cameras, at a Fraction of the Cost – Fast, New Ultra Wide-Angle 14mm Lens Is a Picture Perfect Match for the Camera's Full Frame Sensor –
LAKE SUCCESS, N.Y., August 20, 2007 – The new 21.1-megapixel, full-frame Canon EOS-1Ds Mark III Digital SLR* camera brings the power of Canon U.S.A., Inc.'s professional imaging excellence and innovation into sharper focus than ever before. While Canon's EOS-1D series has dominated the 35mm-based professional Digital SLR market for the past six years, the new EOS-1Ds Mark III Digital SLR takes Canon's pro-digital prowess into and the realm of high-fashion and commercial photo studios where bulkier, medium-format cameras previously reigned.
The Canon EOS-1Ds Mark III's compact, lighter-weight magnesium alloy body is rugged and versatile enough to take out of the studio and into the field. The camera's fast, five-frame-per-second (fps) shooting rate for bursts of up to 56 Large/Fine (21-megapixel) JPEGS or 12 RAW images is unmatched in its class, making it the ideal instrument for capturing the fluid motion and free-flowing lines of location-based fashion photography as well as a wide range of other professional photographic applications.
The Canon EOS-1Ds Mark III professional digital single lens reflex camera is scheduled to begin shipping in November and will have an estimated selling price of $7,999† (the same price as its predecessor, the 16.7 megapixel EOS-1Ds Mark II).
"The EOS-1Ds Mark III Digital SLR camera is a prime example of the EOS philosophy and Canon's ongoing commitment to providing photo professionals with the tools they need to create the finest quality images," stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. "To continue our legacy, we must provide not only the right professional tools, but also the finest photo tools for the job and do so consistently, whether we are presenting this exemplary EOS-1Ds Mark III SLR camera, or any one of the many fine specialty lenses, flashes and accessories that populate the EOS professional photo system."
Revolutionary Resolution
Developed and manufactured by Canon specifically for the EOS-1Ds Mark III Digital SLR, the camera's new full-size 36 x 24 mm CMOS image sensor offers the highest resolution in its class, and is comprised of approximately 21.1 million effective pixels (5632 x 3750) set at a pitch of 6.4 microns. The user can select any one of six recording formats ranging from 21.0 megapixels in Large JPEG or RAW format, 16.6 or 11.0 megapixels in the two medium JPEG sizes, or 5.2 megapixels in the small JPEG or "sRAW" formats. In any JPEG format, the user can set one of ten compression rates for each image size. In sRAW mode, the number of pixels is reduced to one-fourth that of a standard RAW image and the file size is cut in half, while retaining all of the flexibility and creative possibilities associated with full-size, traditional RAW images.
Dual "DIGIC III" Image Processors
Fulfilling the ultra-low noise, ultra-high image quality promise of the EOS-1Ds Mark III Digital SLR camera requires handling the enormous signal processing requirements of the camera's 21-megapixel resolution and top continuous shooting speed of five fps. To accomplish this, Canon has incorporated two identical DIGIC III imaging engines into the camera for parallel (and hence, faster) signal processing. The CMOS sensor reads out to the dual "DIGIC III" processors simultaneously in eight channels. DIGIC III is the next generation of Canon's proprietary image processing engine. This technology ensures the fine details and natural colors of images are optimally recorded and, as an added bonus, is responsible for the EOS-1Ds Mark III SLR's high-speed performance, faster signal processing and more efficient energy consumption.
Adding to the improved virtuosity of the images captured by the EOS-1Ds Mark III Digital SLR camera is the camera's 14-bit Analog-to-Digital (A/D) conversion process. Able to recognize 16,384 colors per channel (four times the number of colors recognized by the EOS-1Ds Mark II Digital SLR camera's 12-bit conversion capability), this line-leading model is able to produce images with finer and more accurate gradations of tones and colors. Additionally, given the significantly larger image file sizes created by the EOS-1Ds Mark III Digital SLR camera, Canon has provided compatibility with the new Ultra Direct Memory Access (UDMA) compact flash memory card specification, which enables ultra-high-speed data transfer to the card. Utilizing a UDMA compliant card doubles the data transfer speed compared to a conventional memory card, putting the new EOS-1Ds Mark III on par with the 10.1-megapixel EOS-1D Mark III camera, even though the pixel count of this new model is more than twice as large.
Advanced Autofocus Technology
The EOS-1Ds Mark III autofocus system - first introduced earlier this year on the EOS-1D Mark III Digital SLR - has 45 AF points including 19 high-precision cross-type points and 26 Assist AF points. This new array allows the 19 cross-type points to be divided into groups of nine inner and nine outer focusing points plus a center point, which makes picking an individual focusing point much faster and easier than going through all 45. During manual AF point selection, the AF point area is expandable in two stages via Custom Function control.
At the request of sports and wildlife photographers, a new micro-adjustment feature allows for very fine changes in the AF point of focus for each lens type in use, along with the addition of adjustable focus-tracking sensitivity as another sophisticated new AF feature. Other new components in the AF system include the reconfigured concave submirror and the secondary image formation lens, both products of Canon's vast expertise in optical engineering. Finally, the low-light sensitivity of the new AF sensor has been doubled to EV-1 for superior performance, compared with earlier EOS digital SLRs.
Live View
One of the dynamic innovations incorporated into new EOS Digital SLRs - and optimized for professional shooters on the EOS-1Ds Mark III Digital SLR - is Canon's Live View shooting mode which provides photographers with an expanded and exceedingly convenient set of shooting options beyond the conventional SLR through-the-lens viewing. Framing and shooting subjects using the camera's LCD screen affords the shooter the same 100 percent field of view provided by the optical viewfinder - this is a full-frame digital SLR after all - but Live View has the added advantage of allowing the image to be more easily composed on the camera's bright and brilliant 230,000-pixel, three-inch LED screen. Additionally, the LCD-viewed image can be magnified by five or ten times in order to ensure that the shot is optimally focused.
Live View is at its best during tripod shooting, particularly for close-up photography where precise focusing is imperative. As a side benefit, the Live View shooting mode helps to reduce vibration by lifting the reflex mirror out of the optical path well in advance of the exposure, improving image quality at slow shutter speeds. Additionally, as the release time lag is miniscule, even instantaneous movements like a bird taking flight can be readily captured. The shutter charge sound can be delayed and made quieter than normal in Live View mode to avoid spooking wildlife or disturbing people nearby with unwanted camera sounds.
If a user is going to be several feet away from the camera, such as in some studio settings, the EOS-1Ds Mark III can be connected by cable to a computer via its USB 2.0 High-Speed interface. The camera can also be operated remotely at distances up to 492 feet with the assistance of the optional Wireless File Transmitter WFT-E2A which allows users to view images directly off the camera's sensor in virtually real-time, with the ability to adjust many camera settings quickly and easily.
Viewing Display
Easy to read, even in outdoor conditions such as bright sunlight, the EOS-1Ds Mark III Digital SLR camera features a three-inch, 230,000-pixel wide angle LCD display screen. The TFT color liquid-crystal monitor features seven user-settable brightness levels and a wide, 140-degree viewing angle, both horizontally and vertically. An added advantage of the large, three-inch display size is the ability to utilize a larger font size for text, making it easier to read setting and menu options on the screen.
Canon extends its "ease-of-reading" policy to the EOS-1Ds Mark III's viewfinder as well. Bright and clear with zero distortion and a 100 percent picture coverage and a magnification factor of .75x, it is the finest viewfinder ever placed in an EOS camera.
EOS Integrated Cleaning System
Another first for a professional digital SLR of this caliber is Canon's complete dust management solution, called the EOS Integrated Cleaning System. The new CMOS image sensor is designed with a lightweight infrared absorption glass cover that vibrates for 3.5 seconds when the camera is turned on or off. This brief delay can be cancelled immediately upon start-up by pressing the shutter button half way. Dust that has been shaken or blown loose of the sensor is trapped by adhesive surfaces surrounding the sensor unit housing, preventing the problematic particles from reattaching themselves to the filter when the camera moves.
Like its sibling, the EOS-1D Mark III, the shutter of the EOS-1Ds Mark III Digital SLR camera carries a durability rating of 300,000 cycles and, though it generates less dust, it still charges itself three times during the manual cleaning process so that dust is shaken off the shutter curtains as well. This cleaning system uses very little battery power and can be turned off in the custom function menu.
The second part of the dust management system is a software solution that maps the location of any spots that may remain on the sensor. The mapped information is saved as Dust Delete Data and attached to the image file. Subsequently, the offending dust information is subtracted from the final image during post processing, using the supplied Digital Photo Professional software.
Rock Solid Reliability
The entire body of the EOS-1Ds Mark III, including its internal chassis and mirror box, is made of an advanced magnesium alloy for exceptional strength and rigidity. Comprehensive weatherproofing at 76 locations on the camera body ensures superior reliability, even when shooting in harsh environments. Together with the 300,000-cycle shutter durability rating, these features result in a camera that, even though it is six ounces lighter than the EOS-1Ds Mark II, can truly withstand even the most severe shooting conditions.
Improved Software
Among the most valuable features of the EOS-1Ds Mark III Digital SLR is its compatibility with Canon's new Picture Style Editor 1.0 software. With PSE, photographers can personalize the look of their photographs by inputting their own preferred image processing parameters, including custom tone curves. The EOS-1Ds Mark III Digital SLR also ships with the latest versions of Canon's powerful software applications, including Digital Photo Professional 3.2 and EOS Utility 2.2, which support the camera's Remote Live View and Dust Delete Data functions, as well as incorporating a broad range of additional improvements designed to improve image quality and speed up workflow. Particularly noteworthy in DPP 3.2 is a new Lens Aberration Correction Function that corrects various image defects such as chromatic aberration, color blur, vignetting and distortion. Initially, the Lens Aberration Correction Function will support images captured by the EOS-1Ds Mark III and 11 other EOS Digital SLRs using any of 29 individual EF and EF-S lenses. Also included are ZoomBrowser EX 6.0 and ImageBrowser 6.0 for easy browsing, viewing, printing and archiving with compatible computer operating systems, including Microsoft Windows Vista and Windows XP, as well as Mac OS X.
Canon EF 14mm f/2.8L II USM Lens
Designed primarily for discerning landscape and architectural photographers, the Canon EF14mm f/2.8L II USM lens is ideally suited to the EOS-1Ds Mark III's full-frame capability. Measuring 3.7 inches in length and weighing in at under 23 ounces, this ultra-wide angle L-series prime lens is well corrected for rectilinear distortion, provides a 114-degree diagonal angle of view, and delivers high-speed autofocus with higher image quality overall including superior peripheral image quality, compared to its predecessor, the stalwart EF 14mm f/2.8L USM lens.
While its large diameter, high-precision aspherical and UD elements, optimized lens element positioning, and flare and ghost-reducing lens coating ensure that this lens delivers the top optical performance in its professional class, Canon has added other features photographers have been asking for - improved dust and water resistance incorporated around the mount, switch panel and focusing ring, and a round aperture that creates a nice background blur and makes it easier to recognize an out-of-focus scene in less than brightly lit conditions. Furthermore, Canon has created a new lens cap specifically for the EF 14mm f/2.8L II USM that is held to the lens by a stopper. The Canon EF14mm f/2.8L II USM lens is scheduled to begin shipping to stores in October at an estimated selling price of $2,199†.
Reader feedback:
Discuss this story
$threadid="3613";
include "../PHPcode/vb_includeposts.php";
?>
Specifications
| Type |
| Type |
Digital AF/AE SLR |
| Recording Medium |
CF Card Type I and II, SD/SDHC Memory Card (1 slot each), and/or External media (USB v.2.0 hard drive, via optional Canon WFT-E2A transmitter), compatible with UDMA-compliant CF cards, and SDHC SD cards |
| Image Format |
1.42 x 0.94 in./36.0 x 24.0mm (full-frame sensor) |
| Compatible Lenses |
Canon EF, TS-E, and MP-E lenses (except EF-S lenses) |
| Lens Mount |
Canon EF mount |
| Lens Focal Length Conversion Factor* |
1.0x |
| Image Sensor |
| Type |
Full-frame, high-sensitivity, high-resolution, single-plate, CMOS sensor |
| Pixels |
Approx. 21.10 megapixels |
| Total Pixels |
Approx. 21.90 megapixels |
| Aspect Ratio |
3:2 (Horizontal : Vertical) |
| Color Filter System |
RGB primary color filters |
| Low-pass Filter |
Fixed position in front of the CMOS sensor |
| Recording System |
| Recording Format |
DCF 2.0 (Exif 2.21): JPEG, RAW and RAW+JPEG simultaneous recording possible. Multiple options for recording images on two memory cards, and onto compatible external USB hard drives (via optional Wireless File Transmitter WFT-E2A) |
| Image Format |
JPEG, JPEG+RAW, RAW (Canon CR2) |
| File Size |
- JPEG/Large: Approx. (TBA) MB (5,616 x 3,744)
- JPEG/Medium 1: Approx. (TBA) MB (4,992 x 3,328)
- JPEG/Medium 2: Approx. (TBA) MB (4,080 x 2,720)
- JPEG/Small: Approx. (TBA) MB (2,784 x 1,856)
- RAW: Approx. (TBA) MB (5,616 x 3,744)
- sRAW: Approx. (TBA) MB (2,784 x 1,856)
|
| Folders |
Can be manually created by user, and freely selected for subsequent images. |
| File Numbering |
- Continuous numbering
- Auto reset
- Manual reset (the image numbering is reset to 0001, a new folder is created automatically)
|
| Color Space |
Selectable between sRGB and Adobe RGB |
| Interface |
USB 2.0 Hi-Speed, mini-B port. NTSC/PAL for video output |
| White Balance |
| Settings |
Auto, Daylight, Shade, Cloudy, Tungsten Light, White Fluorescent Light, Flash, five Custom WB settings (1-5), user-set Color Temperature (2,500~10,000K), five Personal White Balance PC-1 to PC-5 |
| Auto White Balance |
Auto white balance, taken from imaging sensor |
| Personal White Balance |
White balance bracketing: Three consecutive images, Up to +/- 3 levels in 1-step increments
White balance shift: blue/amber bias and/or magenta/green bias +/- 9 levels; manually set by user |
| Viewfinder |
| Type |
Eye-level SLR with fixed pentaprism |
| Coverage |
Approx. 100% horizontally and vertically |
| Magnification |
0.76x (-1 dpt with 50mm lens at infinity) |
| Eyepoint |
Approx. 20mm |
| Dioptric Adjustment Correction |
-3.0 to +1.0 diopter |
| Mirror |
Quick-return half mirror (Transmission: reflection ratio of 37:63) |
| Viewfinder Information |
AF (AF points, focus confirmation light, point selection mode, registration), Exposure (metering mode, spot metering area, shutter speed, aperture, manual exposure, AE lock, ISO speed, exposure level, exposure warning), Flash (flash ready, high-speed sync, FE lock, flash exposure level), Image (JPEG recording, RAW recording, shots remaining, maximum burst, white balance correction, memory card information), Battery check |
| Depth-of-Field Preview |
Enabled with depth-of-field preview button; possible in Live View Function |
| Eyepiece Shutter |
Built-in |
| Autofocus |
| Type |
TTL-AREA-SIR AF-dedicated CMOS sensor |
| AF Points |
45-point (19 high-precision cross-type AF points plus 26 Assist AF points) |
| AF Working Range |
EV -1 ~18 (ISO 100 at 73°F/23°C) |
| Focusing Modes |
Autofocus (One-Shot AF, Predictive AI Servo AF), Manual Focus (MF) |
| AF Point Selection |
Automatic selection; Manual selection: 19 AF points, or only inner 9 AF points (C.Fn III-9-1), or outer 9 AF points (C.Fn III-9-2) |
| Selected AF Point Display |
Superimposed in viewfinder and on LCD panel |
| AF-assist Beam |
None. Emitted by EX-series Speedlite or optional ST-E2 Speedlite Transmitter |
| Exposure Control |
| Metering Modes |
63-zone TTL full aperture metering
- Evaluative metering (linked to all AF points)
- Partial metering (approx. 8.5% of viewfinder)
- Spot metering (approx. 2.4% of viewfinder)
- Center spot metering
- AF point-linked spot metering (C.Fn. I-7-1)
- Multi-spot metering (max. 8 spot metering entries)
- Center-weighted average metering
|
| Metering Range |
EV 0-20 (ISO 100 at 73°F/23°C with EF 50mm f/1.4 USM lens, ISO 100) |
| Exposure Control Systems |
Program AE (shiftable), Shutter speed-priority AE, Aperture-priority AE, E-TTL II program AE (Evaluative flash metering, Averaged flash metering), Manual, Bulb |
| ISO Speed Range |
Equivalent to ISO 100-1600* (in 1/3-stop or whole stop increments), ISO speed can be expanded to ISO 50 and 3200 (via C.Fn I-3)
* Standard output sensitivity. Recommended exposure index. |
| Exposure Compensation |
Exposure Compensation (user-set): up to +/-3 stops in 1/3- or 1/2-half increments
Auto Bracketing (AEB): 3 shots, up to +/- 3 stops, in 1/3 or 1/2 stop increments, in all exposure modes. Sequence can be changed via C.Fn I-5 |
| AE Lock |
Auto: Applied in One-Shot AF mode with evaluative metering when focus is achieved
Manual (user-set): By AE lock button in all metering modes |
| Shutter |
| Type |
Vertical-travel, mechanical, focal-plane shutter with all speeds electronically controlled |
| Shutter Speeds |
1/8000 to 30 sec. (1/3-, 1/2- or 1-stop increments), X-sync at 1/250 sec. (with EOS dedicated external Speedlites; 1/250 maximum with other shoe-mount flashes, and 1/60th-1/250th with studio strobes*)
* maximum sync speed with studio strobes will depend upon flash characteristics and connection method; testing is encouraged to verify fastest possible sync speed with specific studio flash equipment |
| Shutter Release |
Soft-touch electromagnetic release |
| Self-timer |
10 sec. delay, 2 sec. delay |
| Remote Control |
Canon N3 type terminal |
| External Speedlite |
| EOS External Flash or Dedicated Speedlites |
E-TTL II autoflash with all EX Series Speedlites |
| PC Terminal |
Provided; accepts third-party flash units with sync line voltages up to 250V maximum |
| Drive System |
| Drive Modes |
Single, silent, high-speed continuous (approx. 5 fps), low-speed continuous (approx. 3 fps), 10- or 2-sec. self-timer |
| Continuous Shooting Speed |
Approx. 5 fps (at a shutter speed of 1/(TBA) sec. or faster in all recording modes) |
| Max. Burst During Continuous Shooting |
JPEG: approx. 45 frames
RAW: approx. 15 frames
RAW+JPEG: approx. (TBA) frames (Large/Fine) |
| LCD Monitor |
| Type |
TFT color, liquid-crystal monitor |
| Screen Monitor size |
3.0 in., diagonal |
| Pixels |
Approx. 230,000 pixels |
| Coverage |
Approx. 100% |
| Brightness Control |
7 levels provided |
| Playback |
| Image Display Format |
Single image, 4-image index, 9-image index, Jump, AF point, Magnified zoom (approx. 1.5x to 10x), Brightness or RGB Histogram, Auto rotate, Rotate
Live View Function: view image before shooting on LCD monitor; live histogram and live simulation of exposure level possible with C.Fn IV-16-1 |
| Highlight Alert |
In the single image display and (INFO) display, over-exposed highlight areas will blink |
| Image Protection and Erase |
| Protection |
Single image, all images in a folder, or all images in the memory card can be protected or cancel the image protection |
| Erase |
Single image, all images in a folder, all images in the memory card or check-marked images can be erased or unprotected. |
| Direct Printing from the Camera |
Possible with compatible PictBridge-enabled printers |
| Compatible Printers |
CP and SELPHY Compact Photo Printers, PIXMA Photo Printers and PictBridge compatible printers (via USB Interface Cable IFC-200U, included with camera kit) |
| Settings |
Print quantity, style (image, paper size, paper type, printing effects, layout), trimming, tilt correction |
| New Features |
| Dust Delete Feature |
Via built-in microphone at rear of camera body; activated by pressing recording button on camera. Sound file attached to image file on memory card |
| Picture Style |
WAV |
| Recording Time |
Max. 30 sec. per recording |
| Menus |
| Menu Categories |
- Shooting
- Playback
- Setup
- Custom function/My Menu
|
| LCD Monitor Language |
18 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Simplified/Traditional Chinese, Korean, Japanese) |
| Power Source |
| Battery |
One dedicated lithium-ion battery pack LP-E4 AC power can be supplied via the AC Adapter Kit ACK-E4 (included) |
| Number of Shots |
At 73°F/23°C: Approx. (TBA)
At 32°F/0°C: Approx. (TBA)
The above figures apply when a fully-charged Battery Pack LP-E4 is used |
| Battery Check |
Automatic, displayed in six levels. Precise readout of percentage remaining, shots taken since last charge, calibration recommended, and approx. remaining battery life are displayed with Battery Info menu setting. |
| Power Saving |
Provided. Power turns off after 1, 2, 4, 8, 15, 30 min. |
| Back-up Battery |
One CR2025 lithium battery |
| Dimensions and Weight |
| Dimensions (W x H x D) |
6.1 x 6.3 x 3.1 in./156 x 159.6 x 79.9mm |
| Weight |
42.5 oz./1,205g |
| Operating Environment |
| Operating Temperature Range |
32-113°F/0-45°C |
| Operating Humidity Range |
85% or less |
|
|